○ Exhibits: A Collection of 49 Paintings by Tagore and Related Books The National Museum of Korea presents “Paintings of Rabindranath Tagore - The Last Harvest,” an exhibition of 49 paintings by Rabindranath Tagore (1861-1941) and related books as part of the commemoration of the Year of the Korea-India Friendship. Famous as the first Asian to receive the Nobel Memorial Prize in literature in 1913 with a collection of poems entitled Gitanjali, Tagore is widely admired in This exhibition consists of four parts that are divided according to the objects he favored for his art. The first part, “Imaginary Animals,” displays a collection of paintings capturing a variety of living things. These are largely imaginary animals that originated from ancient art while the second part, “Landscapes and Flowers,” guides visitors to the artist who began to be interested in various forms in nature. In the third part, “Figures Telling Stories in Gestures and Dramatic Scenes,” visitors are introduced to people displaying various gestures. In this period Tagore regarded the human body not as a simple form but as an entity containing a seed of drama that tell stories visually. The fourth part, “Faces,” presents a collection of various portraits. The exhibition opens with a special event in which Rajeev Lochan, the Director of the National Gallery of Modern Art in The exhibition is expected to offer art lovers in Portrait of Rabindranath Tagore
Ink on paper, 1929-30, Rabindra Bhavana
Ink on paper, ca.1934, Rabindra Bhavana
Ink on paper, ca. 1931-1932, Rabindra Bhavana
Pen and ink on paper, June 9, 1939, The National Gallery of Modern Art, India
“One thing which is common to all arts is the principle of rhythm which transforms inert materials into living creations. My instinct for it and my training in its use led me to know that lines and colors in art are no carriers of information; they seek their rhythmic incarnation in pictures. Their ultimate purpose is not to illustrate or to copy some outer fact or inner vision, but to evolve a harmonious wholeness which finds its passage through our eyesight into imagination. It neither questions our mind for meaning nor burdens it with unmeaningness, for it is, abouve all, meanings.”
Rabindranath Tagore, July 2, 1930