This exhibition which is originally organized by the
For this exhibition features 101 selected objects carefully selected for display from the
The exhibition presents a series of themes for the important aspects of courtly life in
As there have been so few opportunities over the years to present the decorative art of the Baroque and Rococo period in depth or to explore the consumers of artwork in detail, this exhibition should provide a fascinating occasion for visitors to broaden the scope of their understanding of this era's art.
Exhibits
In section 1 Princely Patronage, presents key figures from the princely courts who were the great patrons of the arts in
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JEANNE-ANTOINETTE POISSON, MARQUISE DE POMPADOUR (1721-64)
François Boucher (1703–70), France; 1758
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SNUFFBOX FROM THE PRUSSIAN ROYAL COLLECTIONS
The second section Power and Glory explores how military power was celebrated and representations of war were used to decorate objects commissioned for courtly use, from armour and weapons to tapestries and paintings.
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THE MARCH FROM A SECOND VERSION OF A SERIES
KNOWN AS THE ART OF WAR
Possibly designed by Philipp De Hondt(1683–1741); made by Judocus de Vos (1661–1734), Brussels; 1718–19
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SNUFFBOX
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PAIR OF FLINTLOCK PISTOLS
Jean-Baptiste La Roche (d. 1769),
The third section Religious Splendour reveals the nature of objects made for worship, commissioned by secular or ecclesiastical patrons for public or private devotional use. By exhibiting works associated not only with the Catholicism that dominated everyday life and palace manners during this time but also with the religions of Protestantism and Judaism, this section offers an in-depth view of the ways in which the different religious beliefs and historical circumstances were reflected in decorative art.
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MONSTRANCE
Johannes Zeckel (d. 1728),
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COMMEMORATIVE BEAKER
Maker’s mark of Sigmund Dockler(b. 1667, active 1696/7–1753),
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PAROCHET OR TORAH ARK CURTAIN
Probably
The fourth section Display in the Interior presents furniture, textiles and ceramics made for use in palaces and noble residences, either for decorative or social purposes. Many of the items in this section were created for purposes of ornamentation and social interaction, as ways of showing off or deriving personal pleasure.
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THREE FROM A SET OF WALL-PANELS, PAINTED WITH SCENES
FROM THE STORY OF ACHILLES
Charles-Louis Clérisseau (1721–1820) and Étienne de Lavallée-Poussin
(1735-1802), Paris; about 1777
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Martin Carlin (d. 1785), Jean-Jacques Pafrat (d. 1793), Paris; 1777–85
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THE SWING (L’ESCARPOLETTE)
Nicolas Lancret (1690–1743),
The fifth section Fashion and Personal Adornment reveals the care and attention aristocratic men and women took to dress in fashionable style from head to toe. Because these items were the most direct means of showing off one's social status and cultural aspirations, palace life was characterized by meticulous attention to small details in order to suit a range of formal occasions.
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SACK-BACK GOWN
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BODICE ORNAMENT
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TRAVELLING RAZOR SET
Possibly Dutch; probably 1700–30